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Rubens diplomaat --- Rubens, Peter Paul --- France --- 75 RUBENS, PIETER-PAUL --- Schilderkunst--RUBENS, PIETER-PAUL --- 75 RUBENS, PIETER-PAUL Schilderkunst--RUBENS, PIETER-PAUL --- Influence --- Appreciation --- Frankrijk --- Rubens, Peter Paul --- Rubens, Petrus Paulus

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Drawing --- drawing [image-making] --- antiquaries --- Rubens, Peter Paul --- Classical antiquities --- Classical antiquities in art --- Art, Classical --- Influence --- Classical antiquities in art. --- Influence. --- Rubens, Peter Paul, --- Themes, motives. --- 7.026 --- 75.046.1 --- 75 RUBENS, PIETER-PAUL --- -Classical antiquities --- -Classical antiquities in art --- 759.04 --- 759.9493 --- 75.046.1 Mythologie in de schilderkunst --- Mythologie in de schilderkunst --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- Kunstwerken: copiëren; reproduceren; facsimile's --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Classical art --- 75 RUBENS, PIETER-PAUL Schilderkunst--RUBENS, PIETER-PAUL --- Schilderkunst--RUBENS, PIETER-PAUL --- Arts Painting 1600 - 1800 --- Arts Painting Belgium --- Rubens, Peter Paul Sir --- -Themes, motives --- Themes, motives --- Art [Classical ] --- Rubens, Peter Paul, - Sir, - 1577-1640 - Themes, motives. --- Classical antiquities - Influence. --- Art, Classical - Influence. --- Classical antiquities - Influence --- Art, Classical - Influence --- Rubens (pierre paul) 1577-1640 --- Catalogues raisonnes

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This study provides a new analysis of the pictorial ensemble of the Torre de la Parada, the hunting lodge of King Philip IV of Spain. Created in the late 1630s by a group of artists led by Peter Paul Rubens, this cycle of mythological imagery and hunting scenes was completed by Diego Velázquez. Despite the lack of a written program, surviving works provide eloquent testimony of several basic themes that embody Neostoic ideals of self-restraint and prudent governance. While Rubens set the moral tone through his serio-comic Ovidian narratives, Velázquez added an important grace note with his portraits of ancient philosophers, and royals and fools of the court. This study is the first to consider in depth their joint artistic contributions and shared ambition. Through analysis of individual works, the authors situate these pictorial inventions within broader intellectual currents in both Spanish Flanders and Spain, especially in the advice literature and drama presented to the Spanish king. Moreover, they point to the lasting resonance of Torre de la Parada for Velázquez, especially within his late masterworks, Las Meninas and Las Hilanderas. Ultimately, this study illuminates the dialogical nature of this ensemble in which Rubens and Velázquez offer a set of complementary views on subjects ranging from the nature of classical gods to the role of art as a mirror of the prince.

Ovid --- Velázquez, da Silva y, Diego --- Rubens, Peter Paul --- Philip IV [King of Spain] --- Rubens, Peter Paul, --- Velãzquez, Diego, --- Philip --- Criticism and interpretation. --- Art patronage. --- Velázquez, Diego, --- Ovid, --- Torre de la Parada (El Pardo, Spain) --- Rubens, Petrus Paulus --- Velázquez, Diego, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Ovidius Naso, Publius. --- Felipe --- Philippe --- Filippo --- Filipe --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Velázquez, Diego

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"A range of perspectives on the convergence of costume, art and history in the early modern Low Countries. The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. 'Undressing Rubens' looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today."--Dust jacket.

Rubens, Peter Paul, --- Manufacturing technologies --- Painting --- History of civilization --- fashion [concept] --- costume [mode of fashion] --- Rubens, Peter Paul --- anno 1600-1699 --- Antwerp --- Painting, Flemish --- Flemish painting --- Influence&delete& --- Clothing --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Influence --- Clothing. --- Fashion in art --- Clothing and dress in art. --- Fashion in art. --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Clothing and dress --- mode --- schilderkunst --- 16de eeuw --- 17de eeuw --- Vlaanderen --- Italië --- Japan --- Spanje --- Engeland --- fashion [culture-related concept] --- kostuumgeschiedenis --- mode. --- schilderkunst. --- Rubens, Peter Paul. --- 16de eeuw. --- 17de eeuw. --- Vlaanderen. --- Italië. --- Japan. --- Spanje. --- Engeland.

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"This publication was prepared to accompany the exhibition Rubens: Picturing Antiquity, scheduled to open at the J. Paul Getty Museum at the Getty Villa, Malibu, in 2021. The catalogue addresses the impact of Peter Paul Rubens's knowledge of the art and literature of antiquity on his work and life."--

Art, Baroque --- Art, Classical --- Classical antiquities in art --- Classical influences --- Rubens, Peter Paul, --- Sources --- Drawing --- Painting --- drawings [visual works] --- Antique, the --- easel paintings [paintings by form] --- antiquities [object genre] --- Rubens, Peter Paul --- Exhibitions --- Baroque art --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Art baroque --- Antiquités --- Influence classique. --- Dans l'art. --- Rubens, Petrus Paulus --- Sources. --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Romeinse kunst --- invloed van antieke kunst --- Romeinse kunst. --- Rubens, Peter Paul.